![René Magritte - The Beautiful Captive [1931]](http://live.staticflickr.com/65535/49089092452_f4505e10cd_b.jpg)
Here, René Magritte presents, for the very first time, the image of a painted canvas standing on an easel and appearing to depict the exact same scene that its presence within the picture seems to obscure. This unsettling, but not impossible, picture-within-a-picture motif is one that was to become a familiar device, used often by Magritte on numerous later occasions throughout the rest of his career. As a result, this is an historic work. It is a painting that marks not only the inauguration of this idea in Magritte’s oeuvre, but also the culmination and final resolution of several prior attempts that the Belgian Surrealist had made at trying to successfully deconstruct and expose the conventions and artifice of the landscape tradition in painting.
[Christie’s, London - Oil on canvas, 38.5 x 55.5 cm]