The date of this work is thought to be 1878–79, but 1883–87 has also been proposed. The composition is apparently a pair of separate studies that are unrelated to any of Cézanne's known paintings. It once belonged to the painter Édouard Vuillard; either Vuillard or Cézanne's dealer, Ambroise Vollard, is believed to have added the brownish tone that now covers areas at the lower left and along the right edge.
[Metropolitan Museum of Art, New York - Oil on canvas, 22.9 x 33 cm]