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Vassily Kandinsky - Composition 8 [1923]

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Vassily Kandinsky - Composition 8 [1923]

Kandinsky evolved an abstract style that reflected the utopian artistic experiments of the Russian avant-garde. The emphasis on geometric forms, promoted by artists such as Kazimir Malevich, sought to establish a universal aesthetic language. Although Kandinsky adopted some of the geometric aspects of Suprematism and Constructivism, his belief in the expressive content of abstract forms alienated him from his Russian colleagues. Kandinsky’s work synthesised Russian avant-garde art with a lyrical abstraction that includes dynamic compositional elements, resembling mountains, sun, and atmosphere that still refer to the landscape. This conflict led him to return to Germany. In 1922 Kandinsky joined the faculty of the Bauhaus where he discovered a more sympathetic environment. He taught there until 1933, when the Nazi government closed the Bauhaus and confiscated 57 of Kandinsky’s works in its purge of “degenerate art.”

[Solomon R. Guggenheim Museum, New York - Oil on canvas, 140 x 201 cm]

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